All performances are held in Todd Theatre on the University of Rochester's River Campus.
By Heinar Kipphardt (translated Ruth Speirs)
October 1221, 2017
Heinar Kipphardt’s celebrated docu-drama, drawn from the actual transcripts of the infamous Oppenheimer security hearings, is a timely and provocative exploration of the individual’s conscience and the power of the state. How should an individual’s morality respond to the power and needs of national security institutions, and what happens when the product of the mind's creativity and exploration yields both good and evil? How do you escape your past, and is "guilt by association" really guilt at all? In the Atomic Energy Commission’s hearings against the “father” of the atomic bomb, J. Robert Oppenheimer, a mirror is held up to our collective conscience in ways that seem hauntingly relevant in our current political dystopia.
***Join us after the Saturday, October 14 performance for a panel discussion with Professors Robert Westbrook (History), Jonathan Tresan (Philosophy), Regina Demina (Physics), and Theatre Program Artistic Director and production director, Nigel Maister, for a panel on the play, its protagonist, and the many questions it raises. (est. start time: 10.15pm; FREE and open to the public)***
October 2728, 2017
Celebrate extraordinary performers from all disciplines in this UR’s Got Talent-format evening of student artists. Celebrity judges, "audience choice" award, and more! Free! (Tickets available at the door on a first-come-first-served basis from one hour before event start.)
November 30December 9, 2017
Octavia is a play ripped from the headlines— from the year AD 62. Attributed the Roman stoic philosopher, Seneca (which would have been extraordinary, as he himself is a character in the play), it chronicles the dissolution of the marriage between the Nero, the unstable, narcissistic emperor, and Octavia, his popular wife. Questions about the right conduct of a ruler, laments about a woman’s place in the world, and musings on the degeneration of the world commingle to make the rarely-staged Octavia a startlingly relevant document.
By Talya Chalef & Cast
March 110, 2018
The UR International Theatre Program is commissioning its first on-site devised work, helmed by Australian-South African director, writer and theatre artist, Talya Chalef. Working with students, and dealing with themes of “sanctuary” and social justice, Chalef will develop an experiential and topical theatrical piece reflecting the thoughts, aspirations, and challenges of students; where they feel we are now, and how they envisage a map of the future. World premiere.
March 2325, 2018
Join us for an evening of short, student-written, directed, designed, and acted plays by budding young playwrights and directors! One of the highlights of the season, the One-Act Play Festival never ceases to delight! Tickets are first come-first served, only available at the door, one hour before performances. Seating is limited, so get there early!
By Harold Pinter
April 26May 5, 2018
Nobel Prize-winning playwright, Harold Pinter, one of the seminal figures of 20th century drama, is a master of the minimal and the malevolent. The Collection and The Lover are two of his most unnerving and, yes, funny, one-acts. In both plays, couples deal with fidelity and infidelity that may (or may not) have happened; in both the undercurrents of violence—sexual and social—are exposed, toyed with, and ultimately left for the audience to wrestle with; and in both, Pinter leaves us keenly aware of something in the universe having shifted in an intangible and deeply unsettling way.