Studio Arts Courses—Spring
Check the course schedules/descriptions available via the Registrar's Office for the official schedules for the widest range of terms for which such information is available.
Spring 2023
Number | Title | Instructor | Time |
---|
SART 111-1
Joshua Enck
MW 4:50PM - 7:30PM
|
The coursework follows a sequence of studies that introduces basic drawing techniques, media, and composition through observation and analysis. Through a sequence of projects, students will have the opportunity to develop formal artistic skills and spatial relationships while enhancing their conceptual understanding of art as a visual language. Students will work from life and from the imagination to solve visual problems. Evaluation will primarily be based on the quantity and quality of studio production as well as the effort to thoughtfully contribute to critiques and discussions. Both traditional and non-traditional mediums and approaches will be explored. Relevant readings and short papers are to be expected. Not open to seniors. Studio art supplies fee: $75. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 114-1
Joshua Enck
MW 2:00PM - 4:40PM
|
Buildings are among the most public, visible, and long lived artifacts that a culture creates. The built environment serves as both a repository of cultural information and exerts an influence that extends beyond the society that created it. Architecture is art in a physical, three dimensional reality; it responds to the limitations of technology, design, and space while materializing ideals of aesthetics and beauty. Famous designers, trained architects, anonymous craftspeople, and laypeople alike create architectural forms. This studio art course will introduce the ways in which we design, create, study, and convey architecture. We will investigate practices of architectural design, history, building craft, and engineering in this class through lectures, research, in-class exercises, and thematic assignments. The course will culminate with a fully realized design for a small building of your own invention. This course will challenge you to recognize precedent forms and to create designs of your own, from sketch to 3D model making, that explore basic design elements. Skills explored in this course can be used to gain a better understanding of the built world around us and pursue further studies in architecture. This course is open to all majors, and prior architecture study is not required. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 121-1
Emily Tyman
TR 10:25AM - 1:05PM
|
Designed to introduce students to the art of painting through a traditional and experimental approach. Through a sequence of projects, students will have the opportunity to practice observational painting skills as well as experiment with a variety of non-traditional media and innovative techniques. This course aims to enhance each students understanding of historical and contemporary painting trends through studio practice and classroom dialogue. Ultimately, students will work toward creating mature visual works that communicate meaning effectively. Your paintings, in addition to their many other functions, will serve as documentation of your artistic and intellectual pursuit. Formal and informal critiques will regularly follow the completion of most projects. Readings and short papers are to be expected. Not open to seniors. Studio art supplies fee: $75. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 131-1
Annalisa Barron
TR 2:00PM - 4:40PM
|
A wide range of materials and techniques from metal and welding to assemblage, from wood to experimental methods and media is explored in the service of three dimensional art making. Investigations of the specific qualities of three dimensional media (i.e. space, form, scale, mass) and how they can convey ideas are made within a contemporary framework. Artworks synthesize a particular choice and use of materials and a concept or expression. It is the aim of this class to develop this synthesis, and in so doing, begin to develop the students' own working creative vocabulary. Not open to seniors. Studio art supplies fee: $75. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 141-2
Kirby Pilcher
MW 10:25AM - 1:05PM
|
This class is an introduction to the basic elements of photography with an emphasis on photography as an interpretive and hybrid medium. The student will develop a series of images using various photographic techniques and formats, such as photograms, collages, and digital processes. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction with their studio projects, students will be exposed to current issues in photography and related media through readings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. $75 Studio Fee. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 141-3
Megan Mette
MW 2:00PM - 4:40PM
|
This class is an introduction to the basic elements of photography, SLR and DSLR camera, darkroom techniques and alternative digital processes with an emphasis on photography as an interpretive and hybrid medium. The student will be asked to develop series of images using various photographic techniques and formats such as photograms (photography without a camera), collages and digital negatives printed on silver photographic paper. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction to their studio projects, students will be exposed to current issues in photography and related media through readings, screenings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. $50 Studio Fee. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources
|
SART 151-1
Andrew Salomone
MW 4:50PM - 7:30PM
|
This course merges contemporary art production with technologies and social interventions. Students will combine historical, inter-media approaches with new, evolving trends in social practice. This course offering uses cyberpunk, a subgenre of science fiction, as a framework for examining contemporary art and media production in both theory and practice. Students will deploy introductory level techniques to create new works at the intersection of art, design, and technology. Not open to seniors. $75 Studio Fee. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 181-1
Mijin Shin
TR 10:25AM - 1:05PM
|
The coursework introduces relief and intaglio print techniques. By using a variety of materials for matrices, such as PVC, acrylic, wood, draft board, etc., students will not only explore traditional printing processes but also apply emerging printmaking practices to their work. Students exercise research skills to conceptualize their projects. Evaluation is based on the quantity and quality of production as well as the effort made to thoughtfully contribute to critiques and discussions to improve visual problem-solving abilities. Relevant readings and writing of project descriptions are to be expected. Not open to seniors. $75 Studio Art Fee. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 222A-1
Emily Tyman
MW 4:50PM - 7:30PM
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art supplies fee: $75.
|
SART 222B-1
Emily Tyman
MW 4:50PM - 7:30PM
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art supplies fee: $75.
|
SART 222C-1
Emily Tyman
MW 4:50PM - 7:30PM
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art supplies fee: $75.
|
SART 242A-1
Evelyne Leblanc-Roberge
TR 2:00PM - 4:40PM
|
We will examine and interrogate the multiple roles that photography and related media plays within our cultural moment with an emphasis on hybrid and multidisciplinary approaches to the medium. The class projects will explore screen and print based photographic collage, appropriation, found imagery and remixing. Interdisciplinary and collaborative approaches will be encouraged. In conjunction to their studio projects, students will view, analyze and read about a range of photographic practices and engage in probing discussions. The students will also keep a process journal where research, inspirations, ideas and experimentations will be published weekly. Basic experience with photography / lens-based media is required. $75.00 Studio Fee.
|
SART 242B-1
Evelyne Leblanc-Roberge
TR 2:00PM - 4:40PM
|
We will examine and interrogate the multiple roles that photography and related media plays within our cultural moment with an emphasis on hybrid and multidisciplinary approaches to the medium. The class projects will explore screen and print based photographic collage, appropriation, found imagery and remixing. Interdisciplinary and collaborative approaches will be encouraged. In conjunction to their studio projects, students will view, analyze and read about a range of photographic practices and engage in probing discussions. The students will also keep a process journal where research, inspirations, ideas and experimentations will be published weekly. Basic experience with photography / lens-based media is required. $75 Studio Art Fee.
|
SART 242C-1
Evelyne Leblanc-Roberge
TR 2:00PM - 4:40PM
|
We will examine and interrogate the multiple roles that photography and related media plays within our cultural moment with an emphasis on hybrid and multidisciplinary approaches to the medium. The class projects will explore screen and print based photographic collage, appropriation, found imagery and remixing. Interdisciplinary and collaborative approaches will be encouraged. In conjunction to their studio projects, students will view, analyze and read about a range of photographic practices and engage in probing discussions. The students will also keep a process journal where research, inspirations, ideas and experimentations will be published weekly. Basic experience with photography / lens-based media is required. $75 Studio Art Fee
|
SART 279-1
Megan Scheffer
W 9:00AM - 11:40AM
|
This class will consider the relationship of art exhibition and production in contemporary art practices as part of a gallery practicum. This course is an introduction to art exhibition practices including research, curation, planning, art handling, installation, and hands-on experience in galleries. Students will install exhibitions in the teaching galleries and spaces on campus, including (but not limited to) Hartnett Gallery and Frontispace Gallery. Students will visit galleries and museums and attend exhibition openings, studio visits, and artist lectures. Studio Art Fee of $75.
|
SART 292A-1
Annalisa Barron
TR 9:40AM - 12:20PM
|
This course explores of the boundaries of conventional studio production through experimentation with nontraditional materials and invented approaches. It investigates the act of making a mark and probes the motives and impulses inherent in that process. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem-solving. Individual and group critiques occur throughout the course. Markings, Methods, and Materials can be viewed as an extension of any 100-level studio course and provides an opportunity to exercise and explore the techniques and cognitive processes that are utilized and applied in art production and adjacent fields of learning. Permission of instructor required. Studio art supplies fee: $75.00.
|
SART 292B-1
Annalisa Barron
TR 9:40AM - 12:20PM
|
This course explores of the boundaries of conventional studio production through experimentation with nontraditional materials and invented approaches. It investigates the act of making a mark and probes the motives and impulses inherent in that process. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem-solving. Individual and group critiques occur throughout the course. Markings, Methods, and Materials can be viewed as an extension of any 100-level studio course and provides an opportunity to exercise and explore the techniques and cognitive processes that are utilized and applied in art production and adjacent fields of learning. Permission of instructor required. Studio art supplies fee: $75.
|
SART 292C-1
Annalisa Barron
TR 9:40AM - 12:20PM
|
This course explores of the boundaries of conventional studio production through experimentation with nontraditional materials and invented approaches. It investigates the act of making a mark and probes the motives and impulses inherent in that process. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem-solving. Individual and group critiques occur throughout the course. Markings, Methods, and Materials can be viewed as an extension of any 100-level studio course and provides an opportunity to exercise and explore the techniques and cognitive processes that are utilized and applied in art production and adjacent fields of learning. Permission of instructor required. Studio art supplies fee: $75.
|
SART 300-1
Heather Layton
|
The Art New York Field Studio course will utilize the resources of New York City as a starting point for creative production. The course will be conducted primarily online, with face-to-face meetings with the professor spread throughout the semester. Projects will take students outside into the city to make art with a rotating variety of media, including photography, video, sound, and installation, with an emphasis on collaboration. |
SART 305K-1
Heather Layton
|
As an integral part of the internship program, all students participating in ANY will meet weekly with the program's resident director. The class will visit museums, art galleries, film & media screenings, & learn from these visits through readings, papers, presentations & discussions. The colloquium will also serve to provide an intellectual framework for understanding the operations of the NY art world & to allow students to discuss with one another their experiences at the various institutions where they intern. Each student will be expected to make a presentation about their internship to the ANY group. There will be an entrepreneurial component which will introduce the students to a wide variety of entrepreneurial activity & innovative practices within arts and culture. Through guest speakers, seminars & field trips the students will learn how entrepreneurial endeavors develop. By the end of the semester, the students will create their own proposal for an entrepreneurial project. |
SART 390-4
Mijin Shin
|
Blank Description |
SART 391W-1
Allen Topolski
|
Individual studio work at an advanced level and under the guidance of a member of the studio arts faculty. |
SART 392-1
Nile Blunt
|
Each student will intern in an institution arranged or approved by the Art and Art History faculty. The purpose of this internship is to give students an insiders' view of the workings of the art world. Students will be expected to document their internship experiences as a means of evaluation at the end of the semester. This program is limited to second, third, fourth and fifth year undergraduate students interested in learning about all aspects of contemporary art, about how art gets made, how it reaches its public, and the processes of its interpretation. Internships will consist of 20 hours per week, for which students will receive eight credits. Permission of instructor required. |
SART 392-2
Nile Blunt
|
No description |
SART 392A-1
Heather Layton
|
Each student will intern in an institution arranged or approved by the Art and Art History faculty. The purpose of this internship is to give students an insiders' view of the workings of the art world. Students will be expected to document their internship experiences as a means of evaluation at the end of the semester. This program is limited to second, third, fourth and fifth year undergraduate students interested in learning about all aspects of contemporary art, about how art gets made, how it reaches its public, and the processes of its interpretation. Internships will consist of 20 hours per week, for which students will receive eight credits. Permission of instructor required. |
SART 397-1
Mijin Shin; Sarah Webb (Affiliate)
T 2:00PM - 4:40PM
|
This course is designed to support the transition between undergraduate coursework in the arts and independent, professional, and post-graduate pursuits. The course has three essential components: (1) Studio Production and Critique, (2) the Mechanics of the Profession, and (3) Contemporary Artists and Issues as they relate to Visual and Cultural Theory, Art History, and Art Criticism. By the end of the semester, students will have prepared an artist talk on their work through documentation, explanation, reference, and relevance in the context of contemporary art. This class is limited to and required of senior studio majors. Permission of instructor required. Studio art supplies fee: $50.
|
SART 399-1
Mijin Shin
R 2:00PM - 4:40PM
|
Blank Description
|
Spring 2023
Number | Title | Instructor | Time |
---|---|
Monday and Wednesday | |
SART 141-2
Kirby Pilcher
|
|
This class is an introduction to the basic elements of photography with an emphasis on photography as an interpretive and hybrid medium. The student will develop a series of images using various photographic techniques and formats, such as photograms, collages, and digital processes. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction with their studio projects, students will be exposed to current issues in photography and related media through readings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. $75 Studio Fee. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 114-1
Joshua Enck
|
|
Buildings are among the most public, visible, and long lived artifacts that a culture creates. The built environment serves as both a repository of cultural information and exerts an influence that extends beyond the society that created it. Architecture is art in a physical, three dimensional reality; it responds to the limitations of technology, design, and space while materializing ideals of aesthetics and beauty. Famous designers, trained architects, anonymous craftspeople, and laypeople alike create architectural forms. This studio art course will introduce the ways in which we design, create, study, and convey architecture. We will investigate practices of architectural design, history, building craft, and engineering in this class through lectures, research, in-class exercises, and thematic assignments. The course will culminate with a fully realized design for a small building of your own invention. This course will challenge you to recognize precedent forms and to create designs of your own, from sketch to 3D model making, that explore basic design elements. Skills explored in this course can be used to gain a better understanding of the built world around us and pursue further studies in architecture. This course is open to all majors, and prior architecture study is not required. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 141-3
Megan Mette
|
|
This class is an introduction to the basic elements of photography, SLR and DSLR camera, darkroom techniques and alternative digital processes with an emphasis on photography as an interpretive and hybrid medium. The student will be asked to develop series of images using various photographic techniques and formats such as photograms (photography without a camera), collages and digital negatives printed on silver photographic paper. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction to their studio projects, students will be exposed to current issues in photography and related media through readings, screenings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. $50 Studio Fee. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources |
|
SART 111-1
Joshua Enck
|
|
The coursework follows a sequence of studies that introduces basic drawing techniques, media, and composition through observation and analysis. Through a sequence of projects, students will have the opportunity to develop formal artistic skills and spatial relationships while enhancing their conceptual understanding of art as a visual language. Students will work from life and from the imagination to solve visual problems. Evaluation will primarily be based on the quantity and quality of studio production as well as the effort to thoughtfully contribute to critiques and discussions. Both traditional and non-traditional mediums and approaches will be explored. Relevant readings and short papers are to be expected. Not open to seniors. Studio art supplies fee: $75. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 151-1
Andrew Salomone
|
|
This course merges contemporary art production with technologies and social interventions. Students will combine historical, inter-media approaches with new, evolving trends in social practice. This course offering uses cyberpunk, a subgenre of science fiction, as a framework for examining contemporary art and media production in both theory and practice. Students will deploy introductory level techniques to create new works at the intersection of art, design, and technology. Not open to seniors. $75 Studio Fee. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 222A-1
Emily Tyman
|
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art supplies fee: $75. |
|
SART 222B-1
Emily Tyman
|
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art supplies fee: $75. |
|
SART 222C-1
Emily Tyman
|
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art supplies fee: $75. |
|
Tuesday | |
SART 397-1
Mijin Shin; Sarah Webb (Affiliate)
|
|
This course is designed to support the transition between undergraduate coursework in the arts and independent, professional, and post-graduate pursuits. The course has three essential components: (1) Studio Production and Critique, (2) the Mechanics of the Profession, and (3) Contemporary Artists and Issues as they relate to Visual and Cultural Theory, Art History, and Art Criticism. By the end of the semester, students will have prepared an artist talk on their work through documentation, explanation, reference, and relevance in the context of contemporary art. This class is limited to and required of senior studio majors. Permission of instructor required. Studio art supplies fee: $50. |
|
Tuesday and Thursday | |
SART 292A-1
Annalisa Barron
|
|
This course explores of the boundaries of conventional studio production through experimentation with nontraditional materials and invented approaches. It investigates the act of making a mark and probes the motives and impulses inherent in that process. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem-solving. Individual and group critiques occur throughout the course. Markings, Methods, and Materials can be viewed as an extension of any 100-level studio course and provides an opportunity to exercise and explore the techniques and cognitive processes that are utilized and applied in art production and adjacent fields of learning. Permission of instructor required. Studio art supplies fee: $75.00. |
|
SART 292B-1
Annalisa Barron
|
|
This course explores of the boundaries of conventional studio production through experimentation with nontraditional materials and invented approaches. It investigates the act of making a mark and probes the motives and impulses inherent in that process. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem-solving. Individual and group critiques occur throughout the course. Markings, Methods, and Materials can be viewed as an extension of any 100-level studio course and provides an opportunity to exercise and explore the techniques and cognitive processes that are utilized and applied in art production and adjacent fields of learning. Permission of instructor required. Studio art supplies fee: $75. |
|
SART 292C-1
Annalisa Barron
|
|
This course explores of the boundaries of conventional studio production through experimentation with nontraditional materials and invented approaches. It investigates the act of making a mark and probes the motives and impulses inherent in that process. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem-solving. Individual and group critiques occur throughout the course. Markings, Methods, and Materials can be viewed as an extension of any 100-level studio course and provides an opportunity to exercise and explore the techniques and cognitive processes that are utilized and applied in art production and adjacent fields of learning. Permission of instructor required. Studio art supplies fee: $75. |
|
SART 121-1
Emily Tyman
|
|
Designed to introduce students to the art of painting through a traditional and experimental approach. Through a sequence of projects, students will have the opportunity to practice observational painting skills as well as experiment with a variety of non-traditional media and innovative techniques. This course aims to enhance each students understanding of historical and contemporary painting trends through studio practice and classroom dialogue. Ultimately, students will work toward creating mature visual works that communicate meaning effectively. Your paintings, in addition to their many other functions, will serve as documentation of your artistic and intellectual pursuit. Formal and informal critiques will regularly follow the completion of most projects. Readings and short papers are to be expected. Not open to seniors. Studio art supplies fee: $75. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 181-1
Mijin Shin
|
|
The coursework introduces relief and intaglio print techniques. By using a variety of materials for matrices, such as PVC, acrylic, wood, draft board, etc., students will not only explore traditional printing processes but also apply emerging printmaking practices to their work. Students exercise research skills to conceptualize their projects. Evaluation is based on the quantity and quality of production as well as the effort made to thoughtfully contribute to critiques and discussions to improve visual problem-solving abilities. Relevant readings and writing of project descriptions are to be expected. Not open to seniors. $75 Studio Art Fee. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 131-1
Annalisa Barron
|
|
A wide range of materials and techniques from metal and welding to assemblage, from wood to experimental methods and media is explored in the service of three dimensional art making. Investigations of the specific qualities of three dimensional media (i.e. space, form, scale, mass) and how they can convey ideas are made within a contemporary framework. Artworks synthesize a particular choice and use of materials and a concept or expression. It is the aim of this class to develop this synthesis, and in so doing, begin to develop the students' own working creative vocabulary. Not open to seniors. Studio art supplies fee: $75. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 242A-1
Evelyne Leblanc-Roberge
|
|
We will examine and interrogate the multiple roles that photography and related media plays within our cultural moment with an emphasis on hybrid and multidisciplinary approaches to the medium. The class projects will explore screen and print based photographic collage, appropriation, found imagery and remixing. Interdisciplinary and collaborative approaches will be encouraged. In conjunction to their studio projects, students will view, analyze and read about a range of photographic practices and engage in probing discussions. The students will also keep a process journal where research, inspirations, ideas and experimentations will be published weekly. Basic experience with photography / lens-based media is required. $75.00 Studio Fee. |
|
SART 242B-1
Evelyne Leblanc-Roberge
|
|
We will examine and interrogate the multiple roles that photography and related media plays within our cultural moment with an emphasis on hybrid and multidisciplinary approaches to the medium. The class projects will explore screen and print based photographic collage, appropriation, found imagery and remixing. Interdisciplinary and collaborative approaches will be encouraged. In conjunction to their studio projects, students will view, analyze and read about a range of photographic practices and engage in probing discussions. The students will also keep a process journal where research, inspirations, ideas and experimentations will be published weekly. Basic experience with photography / lens-based media is required. $75 Studio Art Fee. |
|
SART 242C-1
Evelyne Leblanc-Roberge
|
|
We will examine and interrogate the multiple roles that photography and related media plays within our cultural moment with an emphasis on hybrid and multidisciplinary approaches to the medium. The class projects will explore screen and print based photographic collage, appropriation, found imagery and remixing. Interdisciplinary and collaborative approaches will be encouraged. In conjunction to their studio projects, students will view, analyze and read about a range of photographic practices and engage in probing discussions. The students will also keep a process journal where research, inspirations, ideas and experimentations will be published weekly. Basic experience with photography / lens-based media is required. $75 Studio Art Fee |
|
Wednesday | |
SART 279-1
Megan Scheffer
|
|
This class will consider the relationship of art exhibition and production in contemporary art practices as part of a gallery practicum. This course is an introduction to art exhibition practices including research, curation, planning, art handling, installation, and hands-on experience in galleries. Students will install exhibitions in the teaching galleries and spaces on campus, including (but not limited to) Hartnett Gallery and Frontispace Gallery. Students will visit galleries and museums and attend exhibition openings, studio visits, and artist lectures. Studio Art Fee of $75. |
|
Thursday | |
SART 399-1
Mijin Shin
|
|
Blank Description |