Undergraduate Program
Studio Arts Courses—Fall
Check the course schedules/descriptions available via the Registrar's Office for the official schedules for the widest range of terms for which such information is available.
Fall 2020
| Number | Title | Instructor | Time |
|---|
|
SART 103-1
Kirby Pilcher
MW 9:00AM - 10:15AM
|
|
This course introduces students to current software for creating, editing, and producing core Digital Media objects: photographs, video, vector images, 3D models, & videogames. This fast-paced project-driven course invites experts in the fields of photography, video, graphic design, rapid prototyping and gaming to share their knowledge and experience. Through finding creative solutions to problems posed by instructors, you will manipulate photographs, edit a short video, design graphics, make and modify a 3D model, and create a small interactive videogame environment. The course culminates with designing a digital portfolio of the work you create. This course is open for the current freshman class (rising sophomores in fall 2020). If the course is full or you are unable to register, please e-mail niary.tajerian@rochester.edu.
|
|
SART 111-1
Joshua Enck
MW 4:50PM - 7:30PM
|
|
The coursework follows a sequence of studies that introduces basic drawing techniques, media, and composition through observation and analysis. Through a sequence of projects, students will have the opportunity to develop formal artistic skills and spatial relationships while enhancing their conceptual understanding of art as a visual language. Students will work from life and from the imagination to solve visual problems. Evaluation will primarily be based on the quantity and quality of studio production as well as the effort to thoughtfully contribute to critiques and discussions. Both traditional and non-traditional mediums and approaches will be explored. Relevant readings and short papers are to be expected. Not open to seniors.Studio art supplies fee: $50. If the course fills and you would like to be added to the wait list, please contact the instructor directly at jenck@ur.rochester.edu.
|
|
SART 114-1
Joshua Enck
MW 2:00PM - 4:40PM
|
|
Architecture gives form to space. It is a specialized, functional art that defines space for a utilitarian purpose, based on a specific set of conditions. Architecture makes music out of notes, poetry out of words, it elicits a response. This course will explore the fundamental design principles that are the tools used to create architecture. Through a series of talks, images, field trips, and creative exercises, the students will gain a new awareness of a building, an outdoor space or an entire city. The students will become more sensitive to both the natural and built environment through this increased understanding of architecture. This course is intended to be very interactive and therefore enrollment will be limited to 10 students. Students will be evaluated on two papers and a final project. This course is open to all majors, and prior architecture study is not required. If the course fills and you would like to be added to the wait list, please contact the instructor directly at jenck@ur.rochester.edu.
|
|
SART 121-1
Heather Layton
MW 9:00AM - 11:40AM
|
|
Designed to introduce students to the art of painting through a traditional and experimental approach. Through a sequence of projects, students will have the opportunity to practice observational painting skills as well as experiment with a variety of non-traditional media and innovative techniques. This course aims to enhance each students understanding of historical and contemporary painting trends through studio practice and classroom dialogue. Ultimately, students will work toward creating mature visual works that communicate meaning effectively. Your paintings, in addition to their many other functions, will serve as documentation of your artistic and intellectual pursuit. Formal and informal critiques will regularly follow the completion of most projects. Readings and short papers are to be expected. Not open to seniors. Studio art supplies fee: $50.If the course fills and you would like to be added to the wait list, please contact the instructor directly at heather.layton@rochester.edu.
|
|
SART 141-5
Megan Mette
MW 4:50PM - 7:30PM
|
|
This class is an introduction to the basic elements of photography, SLR and DSLR camera, darkroom techniques and alternative digital processes with an emphasis on photography as an interpretive and hybrid medium. The student will be asked to develop series of images using various photographic techniques and formats such as photograms (photography without a camera), collages and digital negatives printed on silver photographic paper. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction to their studio projects, students will be exposed to current issues in photography and related media through readings, screenings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. $50 Studio Fee. If the course fills and you would like to be added to the wait list, please contact Megan Mette at megan.mette@rochester.edu.
|
|
SART 151-2
Ash Arder
TR 9:40AM - 12:20PM
|
|
This course merges contemporary art production with technologies and social interventions. Students will combine historical, inter-media approaches with new, evolving trends in social practice. Studio assignments will use language, performance, programming, moving images, and more as tools and as media to construct creative-situations that prompt dialogue and critique. Special emphasis will be placed on introductory techniques that move beyond the studio and into collaborative, participatory, community-based productions. Not open to seniors. $50 Studio Fee. If the course fills and you would like to be added to the wait list, please contact the instructor directly at aarder@ur.rochester.edu.
|
|
SART 161-2
Cary Adams
MW 9:00AM - 11:40AM
|
|
This course introduces the basic aesthetic and technical elements of video production. Emphasis is on the creative use and understanding of the video medium while learning to use the video camera, video editing processes and the fundamental procedures of planning video projects. Strategies for the use of video as an art-making tool will be explored. Works by artists and directors critically exploring media of film and video will be viewed and discussed. Video techniques will be studied through screenings, group discussions, readings, practice sessions and presentations of original video projects made during the course. Sophomores and Juniors with officially declared FMS and SA majors are given priority registration; followed by sophomores and juniors with officially declared FMS and SA minors. Studio arts supplies fee: $50.
|
|
SART 161-3
Caroline Doherty
MW 4:50PM - 7:30PM
|
|
This course introduces the basic aesthetic and technical elements of video production. Emphasis is on the creative use and understanding of the video medium while learning to use the video camera, video editing processes and the fundamental procedures of planning video projects. Strategies for the use of video as an art-making tool will be explored. Works by artists and directors critically exploring media of film and video will be viewed and discussed. Video techniques will be studied through screenings, group discussions, readings, practice sessions and presentations of original video projects made during the course. Sophomores and Juniors with officially declared FMS and SA majors are given priority registration; followed by sophomores and juniors with officially declared FMS and SA minors. Studio arts supplies fee: $50.
|
|
SART 181-1
Mijin Shin
TR 2:00PM - 4:40PM
|
|
The coursework introduces color theory and printmaking techniques, media, and composition through observation and analysis. Through a sequence of projects combining the study of color theory and printmaking, students have the opportunity to learn collagraph and relief print techniques. Students exercise visual problem-solving skills. Evaluation is based on the quantity and quality of production as well as effort to thoughtfully contribute to critiques and discussions. Relevant readings and writing of project descriptions are to be expected. Not open to seniors. Studio art supplies fee: $50. If the course fills and you would like to be added to the wait list, please contact the instructor directly at mshin13@ur.rochester.edu.
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|
SART 190-1
Allen Topolski
TR 2:00PM - 4:40PM
|
|
This course cultivates the capacity for visual thinking and provides a broad framework for contemporary art practice. Studio production, discussion, presentation, and critique will integrate conceptual challenges with technique and common and accessible materials. Presentations and discussions will address historical and theoretical approaches to art as a way of supporting an expansive approach to studio practice – one that yields informed and challenging art. Students need to digitally document and post much of their work online for critique and evaluation. Contact instructor in advance of the course regarding supplies. Asynchronous critiques demos and lectures will form the core of the course content; any synchronous activity will be determined by the availability of those enrolled. Not open to seniors. If the course fills and you would like to be added to the wait list, please contact Allen Topolski at allen.topolski@rochester.edu
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|
SART 209-2
Janet Berlo
TR 9:40AM - 10:55AM
|
|
This course seeks to improve students' writing and analytical skills through analysis and experimentation with different styles of writing about contemporary and historical arts. Students analyze prose by artists, historians, cultural critics, poets, and others who have written on the visual arts, with an eye towards how writing on art can be a tool for improving expression in many areas. Slide lectures, discussions, and writing projects on objects of diverse media and historical eras will be augmented by visiting speakers and field trips to museums and galleries. This course fulfills one-half of the upper level writing requirement for both studio and art history majors. Permission of instructor required.
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|
SART 212A-2
Allen Topolski
TR 9:40AM - 12:20PM
|
|
Serious emphasis on independently designed proposals, research and production further coalesce ideas addressed in introductory level two dimensional courses. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of engagement in creative thought, research, and problem- solving. Individual and group critiques occur throughout the course. Electronic drawing tablet or pad preferred; on-campus equipment available but limited. Studio art supplies fee: $50. If the course fills and you would like to be added to the waitlist, please contact Allen Topolski allen.topolski@rochester.edu
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|
SART 212B-2
Allen Topolski
TR 9:40AM - 12:20PM
|
|
Serious emphasis on independent proposals, research and production further coalesce ideas addressed in introductory level two dimensional courses. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem- solving. Individual and group critiques occur throughout the course. Studio art supplies fee: $50.
|
|
SART 212C-2
Allen Topolski
TR 9:40AM - 12:20PM
|
|
Serious emphasis on independent proposals, research and production further coalesce ideas addressed in introductory level two dimensional courses. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem- solving. Individual and group critiques occur throughout the course. Studio art supplies fee: $50.
|
|
SART 222A-2
Heather Layton
TR 9:40AM - 12:20PM
|
|
This course supports a continuation of Introductory Painting (SA121) with increased emphasis on conceptual development, independent project design, and technical execution. Students will have the option to work in oil (non-toxic), acrylic, gouache, watercolor, and non-traditional painting media. Students should expect that individual and class critiques will be more critical than those in Introductory Painting for the purpose of elevating the quality of each student’s work and work ethic. Group discussions, individual meetings, peer critiques, and public exhibitions will add to the depth of the studio experience. Artist statements and written assignments will encourage self-reflection upon one’s creative practice and provide a platform for understanding Painting in the context of contemporary art. Students will leave this course with finished works of art that demonstrate innovation in visual problem-solving, conceptual investigation and mastery of technique. The course will culminate in the submission of a digital portfolio. Prerequisite: SA 121. Studio fee: $50. Permission of instructor required.
|
|
SART 222B-2
Heather Layton
TR 9:40AM - 12:20PM
|
|
This course supports a continuation of Introductory Painting (SA121) with increased emphasis on conceptual development, independent project design, and technical execution. Students will have the option to work in oil (non-toxic), acrylic, gouache, watercolor, and non-traditional painting media. Students should expect that individual and class critiques will be more critical than those in Introductory Painting for the purpose of elevating the quality of each student’s work and work ethic. Group discussions, individual meetings, peer critiques, and public exhibitions will add to the depth of the studio experience. Artist statements and written assignments will encourage self-reflection upon one’s creative practice and provide a platform for understanding Painting in the context of contemporary art. Students will leave this course with finished works of art that demonstrate innovation in visual problem-solving, conceptual investigation and mastery of technique. The course will culminate in the submission of a digital portfolio. Prerequisite: SA 121. Studio fee: $50. Permission of instructor required.
|
|
SART 222C-2
Heather Layton
TR 9:40AM - 12:20PM
|
|
This course supports a continuation of Introductory Painting (SA121) with increased emphasis on conceptual development, independent project design, and technical execution. Students will have the option to work in oil (non-toxic), acrylic, gouache, watercolor, and non-traditional painting media. Students should expect that individual and class critiques will be more critical than those in Introductory Painting for the purpose of elevating the quality of each student’s work and work ethic. Group discussions, individual meetings, peer critiques, and public exhibitions will add to the depth of the studio experience. Artist statements and written assignments will encourage self-reflection upon one’s creative practice and provide a platform for understanding Painting in the context of contemporary art. Students will leave this course with finished works of art that demonstrate innovation in visual problem-solving, conceptual investigation and mastery of technique. The course will culminate in the submission of a digital portfolio. Prerequisite: SA 121. Studio fee: $50. Permission of instructor required.
|
|
SART 244A-1
Evelyne Leblanc-Roberge
TR 2:00PM - 4:40PM
|
|
This course will explore bookmaking using photographic imagery as its primary source. The photographic book extends the photographic print into time, space and tactile interaction. From digital book, to photo album, to one-of-a-kind curio box of prints, we will examine the multiple roles that contemporary photography and related media plays within our unique cultural moment. The class projects will focus on book structures and material, bookbinding, image sequencing and editing, printing, and design. Interdisciplinary and collaborative approaches will be encouraged. This course will culminate with an exhibition of works and a book exchange. In conjunction to the studio projects, we will view and analyze a range of photographic practices, read contemporary criticism and engage in probing discussion and original writing. Basic experience with digital photography and imaging software is required. Prerequisite: SA141, SA151 or any relevant prior experience with photography. 'Permission of instructor' is required to enroll. $50 studio fee.
|
|
SART 244B-1
Evelyne Leblanc-Roberge
TR 2:00PM - 4:40PM
|
|
This course will explore bookmaking using photographic imagery as its primary source. The photographic book extends the photographic print into time, space and tactile interaction. From digital book, to photo album, to one-of-a-kind curio box of prints, we will examine the multiple roles that contemporary photography and related media plays within our unique cultural moment. The class projects will focus on book structures and material, bookbinding, image sequencing and editing, printing, and design. Interdisciplinary and collaborative approaches will be encouraged. This course will culminate with an exhibition of works and a book exchange. In conjunction to the studio projects, we will view and analyze a range of photographic practices, read contemporary criticism and engage in probing discussion and original writing. Basic experience with digital photography and imaging software is required. Prerequisite: SA141, SA151 or any relevant prior experience with photography. Permission of the instructor is required to enroll. $50 studio fee.
|
|
SART 244C-1
Evelyne Leblanc-Roberge
TR 2:00PM - 4:40PM
|
|
This course will explore bookmaking using photographic imagery as its primary source. The photographic book extends the photographic print into time, space and tactile interaction. From digital book, to photo album, to one-of-a-kind curio box of prints, we will examine the multiple roles that contemporary photography and related media plays within our unique cultural moment. The class projects will focus on book structures and material, bookbinding, image sequencing and editing, printing, and design. Interdisciplinary and collaborative approaches will be encouraged. This course will culminate with an exhibition of works and a book exchange. In conjunction to the studio projects, we will view and analyze a range of photographic practices, read contemporary criticism and engage in probing discussion and original writing. Basic experience with digital photography and imaging software is required. Prerequisite: SA141, SA151 or any relevant prior experience with photography. Permission of the instructor is required to enroll. $50 studio fee.
|
|
SART 262A-2
Cary Adams
M 2:00PM - 6:00PM
|
|
Taking place on farms and in the classroom, this incubator course combines documentary video-making and community engagement alongside the study of critical/cultural theory in order to investigate, emergent networks and practices of food justice in Rochester. Work will be undertaken in collaboration with Taproot Collective Farm, a nonprofit with the mission of designing and building holistic systems for healthy local food, dignified housing, and educational opportunities with Rochester communities. Previous coursework in Video Art, EHU or other relevant subjects is required. Please note the unique time schedule. Permission of instructor. $50 studio fee.
|
|
SART 262B-2
Cary Adams
M 2:00PM - 6:00PM
|
|
Taking place on farms and in the classroom, this incubator course combines documentary video-making and community engagement alongside the study of critical/cultural theory in order to investigate, emergent networks and practices of food justice in Rochester. Work will be undertaken in collaboration with Taproot Collective Farm, a nonprofit with the mission of designing and building holistic systems for healthy local food, dignified housing, and educational opportunities with Rochester communities. Previous coursework in Video Art, EHU or other relevant subjects is required. Please note the unique time schedule. Permission of instructor. $50 studio fee.
|
|
SART 262C-2
Cary Adams
M 2:00PM - 6:00PM
|
|
Taking place on farms and in the classroom, this incubator course combines documentary video-making and community engagement alongside the study of critical/cultural theory in order to investigate, emergent networks and practices of food justice in Rochester. Work will be undertaken in collaboration with Taproot Collective Farm, a nonprofit with the mission of designing and building holistic systems for healthy local food, dignified housing, and educational opportunities with Rochester communities. Previous coursework in Video Art, EHU or other relevant subjects is required. Please note the unique time schedule. Permission of instructor. $50 studio fee.
|
|
SART 282A-2
Mijin Shin
MW 4:50PM - 7:30PM
|
|
This course is a study of printmaking and book art as an exploration of three-dimensional form through the use of relief print techniques. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional printmaking techniques are to be infused with sculpture and installation design. Students are challenged to develop techniques as well as effective visual messages through individual meetings with the instructor. The course will consist of demonstrations, discussions, print projects, research development, student presentations, and critiques. Studio art supplies fee: $50. Permission of instructor required.
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|
SART 282B-2
Mijin Shin
MW 4:50PM - 7:30PM
|
|
This course is a study of printmaking and book art as an exploration of three-dimensional form through the use of relief print techniques. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional printmaking techniques are to be infused with sculpture and installation design. Students are challenged to develop techniques as well as effective visual messages through individual meetings with the instructor. The course will consist of demonstrations, discussions, print projects, research development, student presentations, and critiques. Studio art supplies fee: $50. Permission of instructor required.
|
|
SART 282C-2
Mijin Shin
MW 4:50PM - 7:30PM
|
|
This course is a study of printmaking and book art as an exploration of three-dimensional form through the use of relief print techniques. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional printmaking techniques are to be infused with sculpture and installation design. Students are challenged to develop techniques as well as effective visual messages through individual meetings with the instructor. The course will consist of demonstrations, discussions, print projects, research development, student presentations, and critiques. Studio art supplies fee: $50. Permission of instructor required.
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SART 390-1
Allen Topolski
–
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|
Blank Description |
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SART 390-4
Mijin Shin
–
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|
Blank Description |
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SART 390-5
Heather Layton
–
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|
Blank Description |
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SART 390-6
Mijin Shin
–
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Blank Description |
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SART 391-1
–
–
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Individual studio work at an advanced level and under the guidance of a member of the studio arts faculty. Registration for Independent Study courses needs to be completed thru the instructions for online independent study registration. |
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SART 394-1
–
–
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|
Blank Description |
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SART 395-1
–
–
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Registration for Independent Study courses needs to be completed thru the instructions for online independent study registration. |
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SART 396-1
Evelyne Leblanc-Roberge; Mijin Shin
MW 2:00PM - 4:40PM
|
|
This is the first of a two-semester senior capstone course designed to support the transition between undergraduate coursework and independent, professional, and graduate pursuits. It is a core requirement of the studio art degree. The fall semester of this series has two major components: (1) Studio Production/Critique and (2) Professional Development. For the studio production/critique component, students will maintain a rigorous, self-motivated studio practice, regularly participate in critical discussions and critiques and develop artist statements. Emphasis is placed upon a shift to independent project design. For the professional development component, students will create personal websites, develop resumes, apply for professional exhibitions, prepare high quality documentation of their art, and gain exposure to critical career resources. The fall semester will culminate in a group exhibition and public artist talks by students. Studio Art Fee: $50. This course is only open to senior Studio Art majors. Permission of instructor required.
|
Fall 2020
| Number | Title | Instructor | Time |
|---|---|
| Monday | |
|
SART 262A-2
Cary Adams
|
|
|
Taking place on farms and in the classroom, this incubator course combines documentary video-making and community engagement alongside the study of critical/cultural theory in order to investigate, emergent networks and practices of food justice in Rochester. Work will be undertaken in collaboration with Taproot Collective Farm, a nonprofit with the mission of designing and building holistic systems for healthy local food, dignified housing, and educational opportunities with Rochester communities. Previous coursework in Video Art, EHU or other relevant subjects is required. Please note the unique time schedule. Permission of instructor. $50 studio fee. |
|
|
SART 262B-2
Cary Adams
|
|
|
Taking place on farms and in the classroom, this incubator course combines documentary video-making and community engagement alongside the study of critical/cultural theory in order to investigate, emergent networks and practices of food justice in Rochester. Work will be undertaken in collaboration with Taproot Collective Farm, a nonprofit with the mission of designing and building holistic systems for healthy local food, dignified housing, and educational opportunities with Rochester communities. Previous coursework in Video Art, EHU or other relevant subjects is required. Please note the unique time schedule. Permission of instructor. $50 studio fee. |
|
|
SART 262C-2
Cary Adams
|
|
|
Taking place on farms and in the classroom, this incubator course combines documentary video-making and community engagement alongside the study of critical/cultural theory in order to investigate, emergent networks and practices of food justice in Rochester. Work will be undertaken in collaboration with Taproot Collective Farm, a nonprofit with the mission of designing and building holistic systems for healthy local food, dignified housing, and educational opportunities with Rochester communities. Previous coursework in Video Art, EHU or other relevant subjects is required. Please note the unique time schedule. Permission of instructor. $50 studio fee. |
|
| Monday and Wednesday | |
|
SART 103-1
Kirby Pilcher
|
|
|
This course introduces students to current software for creating, editing, and producing core Digital Media objects: photographs, video, vector images, 3D models, & videogames. This fast-paced project-driven course invites experts in the fields of photography, video, graphic design, rapid prototyping and gaming to share their knowledge and experience. Through finding creative solutions to problems posed by instructors, you will manipulate photographs, edit a short video, design graphics, make and modify a 3D model, and create a small interactive videogame environment. The course culminates with designing a digital portfolio of the work you create. This course is open for the current freshman class (rising sophomores in fall 2020). If the course is full or you are unable to register, please e-mail niary.tajerian@rochester.edu. |
|
|
SART 121-1
Heather Layton
|
|
|
Designed to introduce students to the art of painting through a traditional and experimental approach. Through a sequence of projects, students will have the opportunity to practice observational painting skills as well as experiment with a variety of non-traditional media and innovative techniques. This course aims to enhance each students understanding of historical and contemporary painting trends through studio practice and classroom dialogue. Ultimately, students will work toward creating mature visual works that communicate meaning effectively. Your paintings, in addition to their many other functions, will serve as documentation of your artistic and intellectual pursuit. Formal and informal critiques will regularly follow the completion of most projects. Readings and short papers are to be expected. Not open to seniors. Studio art supplies fee: $50.If the course fills and you would like to be added to the wait list, please contact the instructor directly at heather.layton@rochester.edu. |
|
|
SART 161-2
Cary Adams
|
|
|
This course introduces the basic aesthetic and technical elements of video production. Emphasis is on the creative use and understanding of the video medium while learning to use the video camera, video editing processes and the fundamental procedures of planning video projects. Strategies for the use of video as an art-making tool will be explored. Works by artists and directors critically exploring media of film and video will be viewed and discussed. Video techniques will be studied through screenings, group discussions, readings, practice sessions and presentations of original video projects made during the course. Sophomores and Juniors with officially declared FMS and SA majors are given priority registration; followed by sophomores and juniors with officially declared FMS and SA minors. Studio arts supplies fee: $50. |
|
|
SART 114-1
Joshua Enck
|
|
|
Architecture gives form to space. It is a specialized, functional art that defines space for a utilitarian purpose, based on a specific set of conditions. Architecture makes music out of notes, poetry out of words, it elicits a response. This course will explore the fundamental design principles that are the tools used to create architecture. Through a series of talks, images, field trips, and creative exercises, the students will gain a new awareness of a building, an outdoor space or an entire city. The students will become more sensitive to both the natural and built environment through this increased understanding of architecture. This course is intended to be very interactive and therefore enrollment will be limited to 10 students. Students will be evaluated on two papers and a final project. This course is open to all majors, and prior architecture study is not required. If the course fills and you would like to be added to the wait list, please contact the instructor directly at jenck@ur.rochester.edu. |
|
|
SART 396-1
Evelyne Leblanc-Roberge; Mijin Shin
|
|
|
This is the first of a two-semester senior capstone course designed to support the transition between undergraduate coursework and independent, professional, and graduate pursuits. It is a core requirement of the studio art degree. The fall semester of this series has two major components: (1) Studio Production/Critique and (2) Professional Development. For the studio production/critique component, students will maintain a rigorous, self-motivated studio practice, regularly participate in critical discussions and critiques and develop artist statements. Emphasis is placed upon a shift to independent project design. For the professional development component, students will create personal websites, develop resumes, apply for professional exhibitions, prepare high quality documentation of their art, and gain exposure to critical career resources. The fall semester will culminate in a group exhibition and public artist talks by students. Studio Art Fee: $50. This course is only open to senior Studio Art majors. Permission of instructor required. |
|
|
SART 111-1
Joshua Enck
|
|
|
The coursework follows a sequence of studies that introduces basic drawing techniques, media, and composition through observation and analysis. Through a sequence of projects, students will have the opportunity to develop formal artistic skills and spatial relationships while enhancing their conceptual understanding of art as a visual language. Students will work from life and from the imagination to solve visual problems. Evaluation will primarily be based on the quantity and quality of studio production as well as the effort to thoughtfully contribute to critiques and discussions. Both traditional and non-traditional mediums and approaches will be explored. Relevant readings and short papers are to be expected. Not open to seniors.Studio art supplies fee: $50. If the course fills and you would like to be added to the wait list, please contact the instructor directly at jenck@ur.rochester.edu. |
|
|
SART 141-5
Megan Mette
|
|
|
This class is an introduction to the basic elements of photography, SLR and DSLR camera, darkroom techniques and alternative digital processes with an emphasis on photography as an interpretive and hybrid medium. The student will be asked to develop series of images using various photographic techniques and formats such as photograms (photography without a camera), collages and digital negatives printed on silver photographic paper. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction to their studio projects, students will be exposed to current issues in photography and related media through readings, screenings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. $50 Studio Fee. If the course fills and you would like to be added to the wait list, please contact Megan Mette at megan.mette@rochester.edu. |
|
|
SART 161-3
Caroline Doherty
|
|
|
This course introduces the basic aesthetic and technical elements of video production. Emphasis is on the creative use and understanding of the video medium while learning to use the video camera, video editing processes and the fundamental procedures of planning video projects. Strategies for the use of video as an art-making tool will be explored. Works by artists and directors critically exploring media of film and video will be viewed and discussed. Video techniques will be studied through screenings, group discussions, readings, practice sessions and presentations of original video projects made during the course. Sophomores and Juniors with officially declared FMS and SA majors are given priority registration; followed by sophomores and juniors with officially declared FMS and SA minors. Studio arts supplies fee: $50. |
|
|
SART 282A-2
Mijin Shin
|
|
|
This course is a study of printmaking and book art as an exploration of three-dimensional form through the use of relief print techniques. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional printmaking techniques are to be infused with sculpture and installation design. Students are challenged to develop techniques as well as effective visual messages through individual meetings with the instructor. The course will consist of demonstrations, discussions, print projects, research development, student presentations, and critiques. Studio art supplies fee: $50. Permission of instructor required. |
|
|
SART 282B-2
Mijin Shin
|
|
|
This course is a study of printmaking and book art as an exploration of three-dimensional form through the use of relief print techniques. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional printmaking techniques are to be infused with sculpture and installation design. Students are challenged to develop techniques as well as effective visual messages through individual meetings with the instructor. The course will consist of demonstrations, discussions, print projects, research development, student presentations, and critiques. Studio art supplies fee: $50. Permission of instructor required. |
|
|
SART 282C-2
Mijin Shin
|
|
|
This course is a study of printmaking and book art as an exploration of three-dimensional form through the use of relief print techniques. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional printmaking techniques are to be infused with sculpture and installation design. Students are challenged to develop techniques as well as effective visual messages through individual meetings with the instructor. The course will consist of demonstrations, discussions, print projects, research development, student presentations, and critiques. Studio art supplies fee: $50. Permission of instructor required. |
|
| Tuesday and Thursday | |
|
SART 151-2
Ash Arder
|
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This course merges contemporary art production with technologies and social interventions. Students will combine historical, inter-media approaches with new, evolving trends in social practice. Studio assignments will use language, performance, programming, moving images, and more as tools and as media to construct creative-situations that prompt dialogue and critique. Special emphasis will be placed on introductory techniques that move beyond the studio and into collaborative, participatory, community-based productions. Not open to seniors. $50 Studio Fee. If the course fills and you would like to be added to the wait list, please contact the instructor directly at aarder@ur.rochester.edu. |
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SART 209-2
Janet Berlo
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This course seeks to improve students' writing and analytical skills through analysis and experimentation with different styles of writing about contemporary and historical arts. Students analyze prose by artists, historians, cultural critics, poets, and others who have written on the visual arts, with an eye towards how writing on art can be a tool for improving expression in many areas. Slide lectures, discussions, and writing projects on objects of diverse media and historical eras will be augmented by visiting speakers and field trips to museums and galleries. This course fulfills one-half of the upper level writing requirement for both studio and art history majors. Permission of instructor required. |
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SART 212A-2
Allen Topolski
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Serious emphasis on independently designed proposals, research and production further coalesce ideas addressed in introductory level two dimensional courses. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of engagement in creative thought, research, and problem- solving. Individual and group critiques occur throughout the course. Electronic drawing tablet or pad preferred; on-campus equipment available but limited. Studio art supplies fee: $50. If the course fills and you would like to be added to the waitlist, please contact Allen Topolski allen.topolski@rochester.edu |
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SART 212B-2
Allen Topolski
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Serious emphasis on independent proposals, research and production further coalesce ideas addressed in introductory level two dimensional courses. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem- solving. Individual and group critiques occur throughout the course. Studio art supplies fee: $50. |
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SART 212C-2
Allen Topolski
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Serious emphasis on independent proposals, research and production further coalesce ideas addressed in introductory level two dimensional courses. The projects demand formal consideration as well as thoughtful content; along with class participation, they act as documents of an engagement in creative thought, research, and problem- solving. Individual and group critiques occur throughout the course. Studio art supplies fee: $50. |
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SART 222A-2
Heather Layton
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This course supports a continuation of Introductory Painting (SA121) with increased emphasis on conceptual development, independent project design, and technical execution. Students will have the option to work in oil (non-toxic), acrylic, gouache, watercolor, and non-traditional painting media. Students should expect that individual and class critiques will be more critical than those in Introductory Painting for the purpose of elevating the quality of each student’s work and work ethic. Group discussions, individual meetings, peer critiques, and public exhibitions will add to the depth of the studio experience. Artist statements and written assignments will encourage self-reflection upon one’s creative practice and provide a platform for understanding Painting in the context of contemporary art. Students will leave this course with finished works of art that demonstrate innovation in visual problem-solving, conceptual investigation and mastery of technique. The course will culminate in the submission of a digital portfolio. Prerequisite: SA 121. Studio fee: $50. Permission of instructor required. |
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SART 222B-2
Heather Layton
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This course supports a continuation of Introductory Painting (SA121) with increased emphasis on conceptual development, independent project design, and technical execution. Students will have the option to work in oil (non-toxic), acrylic, gouache, watercolor, and non-traditional painting media. Students should expect that individual and class critiques will be more critical than those in Introductory Painting for the purpose of elevating the quality of each student’s work and work ethic. Group discussions, individual meetings, peer critiques, and public exhibitions will add to the depth of the studio experience. Artist statements and written assignments will encourage self-reflection upon one’s creative practice and provide a platform for understanding Painting in the context of contemporary art. Students will leave this course with finished works of art that demonstrate innovation in visual problem-solving, conceptual investigation and mastery of technique. The course will culminate in the submission of a digital portfolio. Prerequisite: SA 121. Studio fee: $50. Permission of instructor required. |
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SART 222C-2
Heather Layton
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This course supports a continuation of Introductory Painting (SA121) with increased emphasis on conceptual development, independent project design, and technical execution. Students will have the option to work in oil (non-toxic), acrylic, gouache, watercolor, and non-traditional painting media. Students should expect that individual and class critiques will be more critical than those in Introductory Painting for the purpose of elevating the quality of each student’s work and work ethic. Group discussions, individual meetings, peer critiques, and public exhibitions will add to the depth of the studio experience. Artist statements and written assignments will encourage self-reflection upon one’s creative practice and provide a platform for understanding Painting in the context of contemporary art. Students will leave this course with finished works of art that demonstrate innovation in visual problem-solving, conceptual investigation and mastery of technique. The course will culminate in the submission of a digital portfolio. Prerequisite: SA 121. Studio fee: $50. Permission of instructor required. |
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SART 181-1
Mijin Shin
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The coursework introduces color theory and printmaking techniques, media, and composition through observation and analysis. Through a sequence of projects combining the study of color theory and printmaking, students have the opportunity to learn collagraph and relief print techniques. Students exercise visual problem-solving skills. Evaluation is based on the quantity and quality of production as well as effort to thoughtfully contribute to critiques and discussions. Relevant readings and writing of project descriptions are to be expected. Not open to seniors. Studio art supplies fee: $50. If the course fills and you would like to be added to the wait list, please contact the instructor directly at mshin13@ur.rochester.edu. |
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SART 190-1
Allen Topolski
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This course cultivates the capacity for visual thinking and provides a broad framework for contemporary art practice. Studio production, discussion, presentation, and critique will integrate conceptual challenges with technique and common and accessible materials. Presentations and discussions will address historical and theoretical approaches to art as a way of supporting an expansive approach to studio practice – one that yields informed and challenging art. Students need to digitally document and post much of their work online for critique and evaluation. Contact instructor in advance of the course regarding supplies. Asynchronous critiques demos and lectures will form the core of the course content; any synchronous activity will be determined by the availability of those enrolled. Not open to seniors. If the course fills and you would like to be added to the wait list, please contact Allen Topolski at allen.topolski@rochester.edu |
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SART 244A-1
Evelyne Leblanc-Roberge
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This course will explore bookmaking using photographic imagery as its primary source. The photographic book extends the photographic print into time, space and tactile interaction. From digital book, to photo album, to one-of-a-kind curio box of prints, we will examine the multiple roles that contemporary photography and related media plays within our unique cultural moment. The class projects will focus on book structures and material, bookbinding, image sequencing and editing, printing, and design. Interdisciplinary and collaborative approaches will be encouraged. This course will culminate with an exhibition of works and a book exchange. In conjunction to the studio projects, we will view and analyze a range of photographic practices, read contemporary criticism and engage in probing discussion and original writing. Basic experience with digital photography and imaging software is required. Prerequisite: SA141, SA151 or any relevant prior experience with photography. 'Permission of instructor' is required to enroll. $50 studio fee.
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SART 244B-1
Evelyne Leblanc-Roberge
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This course will explore bookmaking using photographic imagery as its primary source. The photographic book extends the photographic print into time, space and tactile interaction. From digital book, to photo album, to one-of-a-kind curio box of prints, we will examine the multiple roles that contemporary photography and related media plays within our unique cultural moment. The class projects will focus on book structures and material, bookbinding, image sequencing and editing, printing, and design. Interdisciplinary and collaborative approaches will be encouraged. This course will culminate with an exhibition of works and a book exchange. In conjunction to the studio projects, we will view and analyze a range of photographic practices, read contemporary criticism and engage in probing discussion and original writing. Basic experience with digital photography and imaging software is required. Prerequisite: SA141, SA151 or any relevant prior experience with photography. Permission of the instructor is required to enroll. $50 studio fee. |
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SART 244C-1
Evelyne Leblanc-Roberge
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This course will explore bookmaking using photographic imagery as its primary source. The photographic book extends the photographic print into time, space and tactile interaction. From digital book, to photo album, to one-of-a-kind curio box of prints, we will examine the multiple roles that contemporary photography and related media plays within our unique cultural moment. The class projects will focus on book structures and material, bookbinding, image sequencing and editing, printing, and design. Interdisciplinary and collaborative approaches will be encouraged. This course will culminate with an exhibition of works and a book exchange. In conjunction to the studio projects, we will view and analyze a range of photographic practices, read contemporary criticism and engage in probing discussion and original writing. Basic experience with digital photography and imaging software is required. Prerequisite: SA141, SA151 or any relevant prior experience with photography. Permission of the instructor is required to enroll. $50 studio fee. |
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