“Nairy Baghramian,” “Maria Hassabi,” The Documenta 14 Daybook, exh. cat. (Kassel and Athens, 2017), NP.
“Rainer-Hayes: Transmission in Real Time,” Postscript, exh. cat. (Toronto: University of Toronto Press, 2017), 73-85.
“Little Cat” in Ulrike Müller: the old expressions are with us always and there are always others, exh. cat. (Vienna: Museum Moderner Kunst Stiftung Ludwig Wien, 2017), 23-47.
“Work Set for History,” in Franz Erhard Walther, exh. cat. (Beacon, Dia Foundation for the Arts, 2016), 61-73.
“Influence/Transmission,” Time: A Vocabulary for the Present, edited by Joel Burges and Amy Elias (New York: New York University Press, 2016), 323-336.
“…My mere self: Rachel Haidu on Kai Althoff at the Museum of Modern Art,” Texte zur Kunst 104 (December 2016)
“A streamlined whole?” Letter to the editor, Artforum (October 2016)
Roundtable on Marcel Broodthaers, October (Winter 2016)
Response, New Materialisms Questionnaire, October 155 (Winter 2015)
“Installation Art,” in Reading Contemporary Performance: Theatricality Across Genres, edited by Gabrielle Cody and Meiling Cheng (New York and London: Routledge, 2015)
“Rainer-Hayes: Transmission in Real Time,” Postscript (Toronto: University of Toronto Press, 2013)
“Women at Home: Yvonne Rainer and Martha Rosler,” French Theory and American Art, edited by Anaël Lejeune, Olivier Mignon, and Raphaël Pirenne (New York and Brussels: Sternberg Press and [SIC], 2013), 326-356.
“Three Early Works by James Coleman,” James Coleman (Madrid: Museo Reina Sofia, 2012)
“Images of the World and the Inscription of History,” Gerhard Richter Panorama (London, Paris, Berlin: Tate Modern/Centre Georges Pompidou/Neue Nationalgalerie, 2011)
“I inhabit a cube,” Sol LeWitt Structures 1965-2006 (New York: Public Art Fund, 2011)
“The Time of Instytut Awangardy,” in Avant-garde in the Bloc (Warsaw: Foksal Gallery Foundation, 2010)
“Arrogant Texts: Gerhard Richter/Roland Barthes,” Gerhard Richter (Cambridge and London: October Files/MIT Books, 2009)
“Précarité, autorité, autonomie,” Communities of Sense (Durham, N.C.: Duke University Press, 2009)
“Saute ma ville,” in (1968), edited by Cathy Crane and Nicholas Muellner (Newcastle upon Tyne: Cambridge Scholars Press, 2009)
“Use,” When Things Cast No Shadow: 5th Berlin Biennial for Contemporary Art (Berlin: KW Institute for Contemporary Art, 2008)