Graduate Courses Taught

• AH 525:  Authorship: Art and Value of Politics
• AH 525:  Authorship: Anxiety of Influence
• AH 583:  Visual and Cultural Studies Colloquium
• AH 584:  Research Seminar in Visual and Cultural Studies
• AH 598:  History of Avant Garde

Undergraduate Courses Taught

• AH 128:  Modern Art
• AH 130:  History of Photography
• AH 212:  What Photo Is
• AH 215:  Seminar in Contemporary Art: Advanced Histories and Theories of Photographies
• AH 215:  Seminar in Contemporary Art: The Sixties
• AH 325:  Authorship: Art and Value of Politics
• AH 398:  Senior Seminar: The Avant Gardes

Selected Publications

Books

• The Absence of Work: Marcel Broodthaers 1964-1976  (October Books/MIT Press, September 2010)

Essays in Edited Volumes and Art Catalogues

• “Rainer-Hayes: Transmission in Real Time,” Postscript (Toronto: University of Toronto Press, 2013)
• “Women at Home: Yvonne Rainer and Martha Rosler,” in French Theory and American Art (Sternberg Press and [SIC], 2013)
• “Three Early Works by James Coleman,” James Coleman (Madrid: Museo Reina Sofia, 2012)
• “Images of the World and the Inscription of History,” Gerhard Richter Panorama (London, Paris, Berlin: Tate Modern/Centre Georges Pompidou/Neue Nationalgalerie, 2011)
• “I inhabit a cube,” Sol LeWitt Structures 1965-2006 (New York: Public Art Fund, 2011)
• “The Time of Instytut Awangardy,” in Avant-garde in the Bloc (Warsaw: Foksal Gallery Foundation, 2010)
• “Arrogant Texts: Gerhard Richter/Roland Barthes,” Gerhard Richter (Cambridge and London: October Files/MIT Books, 2009)
• “Précarité, autorité, autonomie,” Communities of Sense (Durham, N.C.: Duke University Press, 2009)
• “Saute ma ville,” in (1968), edited by Cathy Crane and Nicholas Muellner (Newcastle upon Tyne: Cambridge Scholars Press, 2009)
• “Use,” When Things Cast No Shadow: 5^th Berlin Biennial for Contemporary Art (Berlin: KW Institute for Contemporary Art, 2008)
• “Max Becher/Andrea Robbins,” Vitamin Ph (London: Phaidon, 2006)
• “Laughter,” Part Object Part Sculpture, edited by Helen Molesworth (Columbus, OH: Wexner Center for the Arts, 2005)
• “Les Utopies précaires de Thomas Hirschhorn,” Thomas Hirschhorn: Musée Précaire Albinet (Paris: Les Laboratoires d’Aubervilliers/Éditions Xavier Barral, 2005)

Criticism

• I am a contributor to Art Journal,Artforum, October, Obieg (Warsaw) and Texte zur Kunst.

Selected Awards/Grants

• Sterling and Francine Clark Institute of Art fellowship (2012)
• Susan B. Anthony Institute Faculty Research Grant (2006, 2011)
• Whiting Foundation Doctoral Fellowship (2002-2003)
• Belgian-American Educational Fellowship (2002-2003)
• Dedalus Foundation Doctoral Fellowship (2001-2002)
• Chester Dale Fellow at the Center for Advanced Study in the Visual Arts at the National Gallery of Art, Washington, D.C. (2000-2001)
• Matisse Fellow in Modern Art at Columbia University (1999-2000)
• Presidential Fellow, Columbia University, New York (1997-1999)
• Endowed Fellow, H.L. Lobsenz Fellowship Fund at Columbia University (1989-1991)

Affiliations

• Member, Academic Administration Committee, College of Arts and Sciences, University of Rochester
• Member, Board of Academic Honesty, College of Arts and Sciences, University of Rochester
• Affiliate, Susan B. Anthony Institute for Gender and Women’s Studies, 2005-present
• Affiliate, Frederick Douglass Institute for African and African-American Studies, 2005-present
• Member of Academic Council, Skalny Center of Eastern and Central European Studies, 2004-present
• Nominated faculty advisor, AAHUC (Art and Art History Undergraduate Council), Spring 2008-2010
• Nominated faculty representative, College Diversity Roundtable, Office of Student Minority Affairs, University of Rochester, October 2004-2009
• Junior Faculty Development Group, Member, 2003-2006

Current Projects

• The Knot of Influence, book in progress
• "Influence/Transmission," in Time: A Vocabulary (NYU Press, 2014)
• "Suspending Painting" in Andrzej Wróblewski (Warsaw: Museum of Modern Art and American Academy of Rome, 2014)