Solomon Weisbard is a freelance lighting designer for live performance of all kinds. Some of his works include Cinderella (Todd Theatre) ; What the Butler Saw (Todd Theatre); Duat (Soho Rep); Men on Boats (Playwrights Horizons/Clubbed Thumb); This is the Color... (Door 10/Baryshnikov Arts Center); Christina Anderson’s Hollow Roots (Public Theatre - Under the Radar); Rite of Spring (Martha Graham Dance Co.); The Soldier’s Tale (Carnegie Hall); The Velveteen Rabbit (Atlantic for Kids); and Enemy of the People, The Pavilion (Barrow Group). His work in dance, dance/theatre and avant-garde music includes original full-length pieces with Alethea Adsitt, Jennifer Archibald, Joshua Beamish/MOVE, Maria Chavez, Ximena Garnica / Leimay, Lane Gifford, Invisible Anatomy, LoudHound Movement, Ofelia Loret de Mola, Patrick Lovejoy, Belinda McGuire, Stefanie Nelson, Patricia Noworol, The Nerve Tank (as resident designer), Wax factory, and four major works as associate set designer with Bill T Jones. As an educator and guest artist, Solomon has taught and worked with students at Bard, Barnard, Connecticut College, City College, Columbia, DeSales, East Stroudsburg, Fordham, NYU/Tisch, The New School, Princeton, University of the Arts, University of Rochester (where he was visiting adjunct faculty), Quinnipiac, and Yale. He received his BFA with honors from Ithaca College and his MFA from the Yale School of Drama. He is New York-based and Oregon-born.